Meddle holds it’s own as the 6th album of English group Pink Floyd. Arguably, Meddle is Floyd’s greatest album. The band packed so much sound in six songs that it’s almost impossible to hear the full capacity of the album through one sitting. It requires more, due it’s depth. While this may seem intimidating to casual listeners at first, there's merit to it. Like a good book, a good album should be listened to more than once. No problem there. Floyd created such a good album, listener's will want to hear it again.

The first song, “One of These Days” begins with windy effects that sound as if they were blowing off a coast itself. “One of These Days” has a driving bass that contrasts nicely to the dulcet, soft spoken quality of “A Pillow of Winds”.

Third track, “Fearless,” begins with heavy laden guitar chords in a mesmerizing riff you’ll be humming all day. The relaxedness of the tune and the decrescendo and crescendo combo of the thick piano sound and guitar chords, make it one of the standout tracks. In the background, you can hear screaming fans that sounds like a crowd cheering at a bullfight, when in fact, it’s noise from The World Cup.

The fourth song, “San Tropez”, is a music soundtrack of comic strip Peanuts, if there ever was one. It’s almost as if you see Woodstock and Snoopy concocting up mischief in the backyard while Schroeder is composing on his baby grand. “San Tropez” is a jazzy head-bobbing jam anybody needs after a long day at work.

After “San Tropez”, a blues influenced howling song plays about a dog named Seamus (complete with actual dog howls).

And at last, comes “Echoes”, the sixth and final track of Meddle. The twenty-three minute masterpiece is the perfect wrap-up to the album. Initially, twenty-three minutes seems pretty daunting, with a dead spot nearly expected after the first three minutes. Instead, Floyd uses all twenty-three minutes to demonstrate superior musician mastery through drawn-out sounds layered with watery pings and slide guitar while the bass is played like waves rolling to the shoreline of a beach. Gilmour wails on guitar and teases you into a groove of funk for a while until about halfway through the song, screeches that resemble whale calls, come in. Whether it be the incredible musicianship of the four Brits, or the watery effects of “Echoes”, Floyd created an album that’s a staple to any chill summer sending you directly into a musical climax of a ride leaving you mellowed out long after the album stops playing. Sweet.